1.Watch one of the cited German expressionistic films. Write down the eye motifs you think film noir borrowed. hence watch a noir such(prenominal) as Double pension , Laura , go forth of the Past, or The Killers and pedigree the opthalmic similarities. Be specific. Nosferatu: The vampires castle is in ruins. Shot at night, the blastoff is filled with deep shadows. The double-decker approaches the castle at a fast pace, on a road surround by deep shadows in a desolate countryside. privileged the castle, the new-fashioned real estate salesclerk is dwarfed by the gritty ceilings and grand staircase, and trapped by the doughy doors. The ship is tossed by a storm of supernatural proportions. entirely the rats survive the journey. The vampires stopping gunpoint scene finds him enclosed in a small promote on with deep shadows, mend a rotating shaft of waking from the uncovered window destroys him. Double Indemnity: Walter Neff is dwarfed by the large, expensive house, especially when he stands at the toilet of the stairs. The streets of Los Angeles are dark and desolate. Neff sits at his desk and dictates his story, while a shaft of light comes in by means of the window. He is dying. 2.Optional: Watch Citizen Kane and draw up down all of the noirish techniques used, such as arty lighting, peculiar tv camera angles, deep-focus and the other characteristics we discussed.
Kanes estate, Xanadu, go into ruins. Its monolithic architecture dwarfs the plurality who inhabit the film. Inside Xanadu, rows of pillars dawdle into darkness. The located reporter tries to take on the story of Kanes life. At the root system of his openhanded life, Kane is shot from below, do him seem gigantic. Toward the end, however, he seems to ferment smaller because of the different camera angles. The femme fatale causes Kane to lose his wife and child... If you desire to get a extensive essay, order it on our website:
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