Pablo Picasso Essay -- Essays Papers

Pablo Picasso unless Cubism and Modern art werent either scientific or intellectual they were optical and came from the eye and mind of one of the extensiveest geniuses in art history. Pablo Picasso, born(p) in Spain, was a child prodigy who was recognized as such by his art-teacher father who ably led him along. The small Museo de Picasso in Barcelona is utilize primarily to his early works, which include strikingly realistic r depoterings of casts of ancient sculpture. He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy appearance impressed him greatly. Then it was derriere to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went by a prodigious number of fashions - realism, caricature, the glooming distri moreoveror point, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The near poignant work of the style is in Clevelands Museum of Art, La Vie (1903), that was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picassos features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Mans Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a genus Corvus (1903). The Rose Period began around 1904 when Picassos palette brightened, the paintings dominated by pinks and beige, set out blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. unmatched of the premier works of this period is in Washington, D.C., the National Gallerys large and passing beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear estrange and incapable of communicating with each other, set in a additive space... ...ods. This paperback version is the smarter buy. Also available A Life of Picasso playscript II, 1907-1917, which covers the critical Cubist Period. Picasso The Early Years 1892-1906 This is the catalog to the blockbuster lay out of 1997, featuring the Blue and Rose Periods. The graphics are of exceptional quality, and the accompanying essays are enlightening, focusing on less well-known aspects of this period of Picassos career. Picasso and Portraiture example and Transformation William Rubin (Editor), Anne Baldassari, Pierre Daix Thi s is the catalog to the blockbuster show of 1996, featuring portraits from the beginning to end of Picassos long career. The graphics are again of exceptional quality. Rubins essay in particular is critical in art historical writing on the Spanish master. Picassos Variations on the Masters Confrontations With the Past Susan Grace Galassi This is an extremely arouse look at Picassos series paintings based on masterworks from the past, from Velazquez to Delacroix to Manet. It was as if he could not find sufficient competition among contemporary artists, and looked to outdo the get the hang of the past in their own works.