The Primitive Nature of Man Revealed in Lord of the Flies :: Lord Flies Essays

The Primitive record of Man Revealed in Lord of the wing A running issue in Lord of the Flies is that man is savage at heart, evermore ultimately reverting endure to an evil and primitive nature. The cycle of mans turn off to power, or righteousness, and his inevitable fall from grace is an important point that account book proves again and again, often comparing man with characters from the Bible to give a more vivid picture of his descent. Lord Of The Flies symbolizes this fall in different manners, ranging from the illustration of the mentality of actual primitive man to the reflections of a corrupt seaman in purgatory. The novel is the story of a stem of boys of different backgrounds who are maro wizardd on an unknown island when their plane crashes. As the boys try to organize and formulate a plan to get rescued, they set out to separate and as a result of the dissension a striation of savage tribal hunters is formed. Eventually the stranded boys in Lord of the Fl ies almost entirely shake off civilized behavior (Riley 1 119). When the confusion finally leads to a manhunt for Ralph, the reader realizes that despite the strong find of British character and civility that has been instilled in the youth throughout their lives, the boys eat backpedaled and arrangementn the underlying savage side existent in all humans. Golding senses that institutions and prescribe imposed from without are temporary, but mans irrationality and urge for destruction are enduring (Riley 1 119). The novel shows the reader how easy it is to revert back to the evil nature inherent in man. If a group of well-conditioned inculcate boys can ultimately wind up committing various extreme travesties, one can imagine what adults, leaders of society, are capable of doing under the pressures of laborious to maintain world relations. Lord of the Flies apprehension of evil is such that it touches the spunk of contemporary horror as no English novel of its while has done it takes us, through symbolism, into a world of active, proliferating evil which is seen, one feels, as the natural condition of man and which is bound to remind the reader of the vilest manifestations of Nazi regression (Riley 1 120). In the novel, Simon is a peaceful lad who tries to show the boys that there is no monster on the island except the fears that the boys have.